![]() At the same time, this could be a story where the Phileas Fogg character must eradicate monsters from across the globe in the span of 80 days. Perhaps this time around, a detective has to span the planet in 80 days to catch an over the top serial killer and foil his grand plans. This exciting starting point is the product of hubris and greed, but it could be fascinating to recontextualize this wager through the twisted mind of a serial killer. Phileas Fogg and his valet boldly take on an extravagant wager that will reward them with immense riches if they can circumnavigate the Earth in a span of 80 days. Around the World in 80 Days is a particularly compelling public domain story to turn into horror since it mostly operates as a fun and frolicking adventure. Jules Verne is a truly prolific author, and many of his works of fiction have been adapted in film and television – although rarely through the context of heightened horror. This horror adaptation could focus exclusively on the prince’s increased deterioration, but it could just as easily incorporate an element where the “Beast” can regain some of his beauty through the killing of others or perhaps it’s how he insists that his imprisoned “Beauty” proves her love to him.Īround The World In 80 Days By Jules Verne Under the Skin’s Jonathan Glazer would also feel completely in line with a Beauty and the Beast horror movie. Beauty and the Beast is perfect territory for any budding body horror savant or an old genre master like Brian Yuzna. What remains is a tale of physical deformity that can only be broken through the promise of true love. Gabrielle-Suzanne Barbot de Villeneuve’s original story doesn’t feature sassy talking furniture and harmonized musical numbers. Beauty and the Beast has been adapted into an oddly satisfying Ron Perlman TV series as well as a perplexing Vanessa Hudgens rom-com, but the very nature of its premise is the perfect fit for horror. The original Beauty and the Beast is a French fairytale that charts back to the 1700s and drew inspiration from the real-life bittersweet story of Petrus Gonsalvus and his beautiful prospective bride, Catherine. ![]() There’s nothing wrong with tackling other public domain properties that audiences associate with Disney, but it raises the question of which other public domain novels would make for the most effective horror films.īeauty And The Beast By Gabrielle-Suzanne Barbot De Villeneuveīeauty and the Beast is one of the biggest Disney movies of all-time and it helped solidify the company’s current strategy to deliver live-action versions of their most popular animated films. Focusing on public domain stories that have a Disney connection and broader mainstream recognition is a strategy that’s worked well for these two directors. Additionally, Blood and Honey director Rhys Frake-Waterfield has Peter Pan’s Neverland Nightmare, as well as a Winnie-the-Pooh sequel on his docket. Milne’s original story a horror makeover–with Bambi: The Reckoning already on tap. Producer Scott Jeffrey has seen some of the biggest success of his career after the release of Winnie-the-Pooh: Blood and Honey –a movie that gives A.A. There are also unique storytellers, like Scott Jeffrey and Rhys Frake-Waterfield, who have found ways to almost weaponize public domain stories to create a built-in audience for their low-budget slasher films. It’s a situation that means that certain texts, like Mary Shelley’s Frankenstein are free to be tackled by anyone who has a creative take. Written works typically enter the public domain seventy years after the death of their latest living author. But an interesting wrinkle when it comes to the acquisition of rights is stories that have entered the public domain. Plenty of horror movie pipe dreams couldn’t come to fruition precisely because the rights for certain properties couldn’t be acquired. A major hurdle in any adaptation of an existing work is securing the copyright or license to legally be allowed to reinterpret this source material. The box office success of Winnie-the-Pooh: Blood and Honey poses the question of which other public domain tales are best suited for the horror genre…Ī good story remains paramount to a successful horror movie, but the heightened genre has also found considerable success through chilling adaptations.
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